【相聲瓦舍】2021 年度大作《三十三》劇評 – 危機、斷捨離、重新出發
還記得幾年前某天在朋友間驚喜地發現竟然有人在討論瓦舍,他們終於熬出頭,跳脫小眾的規模了呀,我心想。之後瓦舍的戲變多了起來,我再也不用偷偷幫他們擔心這麼少的觀眾這麼親民的票價損益到底有沒有有兩平!怎麼樣也沒想到,今年的那一夜,瓦舍沒有宋先生了。
還記得幾年前某天在朋友間驚喜地發現竟然有人在討論瓦舍,他們終於熬出頭,跳脫小眾的規模了呀,我心想。之後瓦舍的戲變多了起來,我再也不用偷偷幫他們擔心這麼少的觀眾這麼親民的票價損益到底有沒有有兩平!怎麼樣也沒想到,今年的那一夜,瓦舍沒有宋先生了。
...it's a rare kind for Christmas chansons. The workers who sang the song suffered in life, but they still found a way to make jokes out of it and enjoyed the holiday as how it should be. With the same spirit, I believe Christmas is a time when we put aside all grudges and disappointments and focus on living every moment with loved ones.
Three minutes after “Tick tick BOOM” started, I was blown away by Garfield’s singing of “30/90.” In the background, there was piano playing with allegro, with repetitive chords in the minimalism style, just like the “tick-tock” noise of a clock or a time bomb… 《倒數時刻 》影片開始才三分鐘,我已經被 Garfield 唱的 <30/90> 一曲驚艷,背景傳來越來越急促的鋼琴聲,極簡音樂般的和弦重複出現,有如時鐘或定時炸彈的滴答作響 (Tick Tock)…