【相聲瓦舍】2021 年度大作《三十三》劇評 – 危機、斷捨離、重新出發
還記得幾年前某天在朋友間驚喜地發現竟然有人在討論瓦舍,他們終於熬出頭,跳脫小眾的規模了呀,我心想。之後瓦舍的戲變多了起來,我再也不用偷偷幫他們擔心這麼少的觀眾這麼親民的票價損益到底有沒有有兩平!怎麼樣也沒想到,今年的那一夜,瓦舍沒有宋先生了。
還記得幾年前某天在朋友間驚喜地發現竟然有人在討論瓦舍,他們終於熬出頭,跳脫小眾的規模了呀,我心想。之後瓦舍的戲變多了起來,我再也不用偷偷幫他們擔心這麼少的觀眾這麼親民的票價損益到底有沒有有兩平!怎麼樣也沒想到,今年的那一夜,瓦舍沒有宋先生了。
The Midsummer Night's Dream performed by Mariinsky Ballet Company was definitely a whole new level. Costumes were magnificent; even from such a long distance, I could still tell that they must spend a lot of time working on the details. The dance was elegant, unanimous, and light like a feather; I could barely hear the sound when those ballerinas' feet touched the floor...
一群光著上身的舞者入場了,他們跑著,跳著,似乎在做某種訓練,動作整齊劃一,不停變換,我心想這就是傳說中的阿美族巴卡路耐 (Pakarongay) 特訓呀!接著有兩個教練出場了,他們微微駝著背,雙手交叉放在身後,用奇怪的姿勢上下跳動,念念有詞......